The purpose of my quest was not to review the simulations (all have been previously reviewed in SOS - EVB3 in SOS February 2003, available at B4 in SOS November 2000, or at but to compare the implementation of some of the important characteristics of a Hammond's sound and their use in performance. The ability to control the various parameters of a Hammond's 'control surface' while playing is of paramount importance if an authentic performance is to be achieved - more on this point later in this article. Having just completed a PhD in Jazz, part of which involved in-depth analysis of the work of Jimmy Smith (possibly jazz's most famous Hammond devotee), Tim Dean-Smith was just the man to help dissect the minutiae of these software wannabes. #Native instruments b4 organ vst software It's fair to say that Tim is a Hammond nut (he would regard the description as a compliment). As a founder member of jazz group d'Organ Trio, he is the owner of a Hammond XK2 (Hammond's own most recent digital organ) and a T200, which is a smaller sibling (or 'spinet', as Hammond called them) of the mighty B3, the model that B4 and EVB3 seek to emulate. In the studio he plays the XK2 through a Leslie 122XB rotary cabinet, while using a Peavey keyboard amp with a Motion Sound Pro 3T rotating horn cab on top for live use. #Native instruments b4 organ vst download.#Native instruments b4 organ vst software.
